haikai

Haikai 05

haikai, Haikai Foto

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haikai 05

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Publicidade

Inspiração | Tsai Ming Liang

Cinema, haikai, Haikai Audiovisual, Inspiração

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Tsai Ming-Liang (蔡明亮, Kuching, 27 de outubro de 1957) é um cineasta malaio.

http://www.culture.tw/index.php?option=com_content&task=view&id=2207&Itemid=157

Tsai Ming-liang is, perhaps, one of the world’s most interesting contemporary filmmakers; with works that usually delve into the loneliness and alienation of individuals, he has created an utterly unique filmography that imparts a tone to the masses, one of both comedy and sadness. (…) https://mubi.com/topics/cinema21-tsai-ming-liang

“… when things get real or realistic, they appear absurd…”

 

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Inspiração | Masao Yamamoto

Fotografia, haikai, Haikai Foto, Inspiração

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.Masao Yamamoto

Masao Yamamoto (山本昌男 Yamamoto Masao, born 1957 in Gamagori City in Aichi Prefecture, Japan) is a Japanese freelance photographer known for his small photographs, which seek to individualize the photographic prints as objects.

Masao YamamotoMasao Yamamoto

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Inspiração | Yoko Ono

haikai, Inspiração

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yoko ono | grapefruit

Instruction pieces and Grapefruit

The instruction pieces have been printed in the different versions of her book of instructions, Grapefruit, and in book published by Weatherhill in 1995, Yoko Ono: Instruction Paintings.

In 1999, Yoko Ono created a new set of instruction paintings: Imagine, Yes, Touch, Fly, Breathe, Reach, Forget, Feel, Dream, Open, Remember. These new instruction paintings are linen canvases painted with single words such as Imagine and Feel… ver mais

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Inspiração | Olga Savary

haikai, Inspiração

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Olga Savary

CERNE

Nada a ver com fonte mas com a sede

Nada a ver com repasto mas com a fome

Nada a ver com plantio mas com a semente.

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O DESEJO ABSOLUTO

Criar o amado

Sem a injustiça da forma

Sem o egoísmo do nome.

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ENQUANTO

Sou inconstante como o vento

Sou inconstante como a vaga

Por isso fica enquanto estou desvelada

Enquanto eu não for vento ou vaga.

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SAVARY, Olga. Hai Kais. São Paulo: Roswitha Kempf, 1986.

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